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Extreme of Ethnic Divergence - Highest Type - I: Eros of PraxitelesEnglish
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16 x 16 inCustomize
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Massena Park at Reuil, 15 April 1813 (Gouache on Paper)Caizac
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A Midsummer Night's Dream, 1895 (W/C with Bodycolour on Paper)Henry Towneley Green
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The Stream Through the Trees, 1880 (Etching)Rodolphe Bresdin
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The Rape of Europa, 1655 (Pen, Ink and Wash)Claude Lorraine
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Rhodes, C.1823-24 (W/C and Bodycolour on Paper)J M W Turner
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How King Mark and Sir Dinadan Heard Sir Palomides, Illustration from 'Le Morte D'Arthur'Aubrey Beardsley
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Preludium, Plate 2A from 'The First Book of Urizen', 1794William Blake
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And the Clouds and Fires...', Plate 14 from 'Europe. a Prophecy', 1794William Blake
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The Fly', Plate 37 from 'Songs of Innocence and of Experience' [Bentley 40] C.1789-94William Blake
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12 x 18 inCustomize
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View from Snowdon from Sands of Traeth Mawe, Taken at Ford Between Pont Aberglaslyn and TremadocAnthony Vandyke Copley Fielding
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And This the Form of Mighty Hand...', Plate 70 from 'Jerusalem' (Bentley Copy E) 1804-20William Blake
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Corsica, (Monaco?) C.1830-35 (W/C on Brown Paper)J M W Turner
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Title Page for 'Jerusalem: the Emanation of the Giant Albion, 1804-20William Blake
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The Lady of Shalott, 1862Walter Crane
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The Chimney Sweeper, Plate 9 Recto from 'songs of Innocence', 1789William Blake
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The Bracelet, Exhibited 1871Alfred Joseph Woolmer
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The Love LetterJohn William Godward
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The Honeymoon (Oil on Board)Marcus Stone
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A Tender Moment (W/C on Paper)William Henry Gore
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There Was an Old Man of Bohemia, Whose Daughter Was Christened EuphemiaEdward Lear
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Evening Landscape with Castle and Bridge in Yorkshire, C.1798-99 (W/C on Wove Paper)J M W Turner
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The Fly,' Plate 47 from 'songs of Experience,' 1794William Blake
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A Sea Piece - a Rough Sea with a Fishing Boat, 1820-30 (W/C on Paper)J M W Turner
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And There Was Heard...', Plate 25 from 'Jerusalem', 1804-20William Blake
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Design 10 for 'Ode on the Death of a Favourite Cat' from 'The Poems of Thomas Gray'William Blake
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The Angler, 1794 (W/C over Graphite on Paper)J M W Turner
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Title Page, Plate 1 from 'The First Book of Urizen', 1794William Blake
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Then the Divine Hand, Plate 35 from 'Jerusalem' (Bentley Copy E) 1804-20William Blake
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A Lane Near Dedham, c.1802John Constable
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Ode on a Distant Prospect of Eton College, from 'The Poems of Thomas Gray', Published in 1797-98William Blake
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East Bergholt Church from Church Street (Oil on Paper on Panel)John Constable
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Coastal Landscape by Moonlight (Oil on Panel)Arthur Gilbert
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Bamburgh Castle, Northumberland, 1877 (W/C on Paper)Alfred William Hunt
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The Swing (Detail)Jean-Honoré Fragonard
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Abraham Holding Young Isaac, C.1637 (Etching)Rembrandt van Rijn
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Landing Stage at Sunrise (Pen, Brown Ink, Brown Wash and Black Crayon)Claude Lorraine
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The Abbey Mill, Knaresborough, C.1801 (W/C with Bodycolour over Graphite on Laid Paper)Thomas Girtin
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The Bard', Design 52 from 'The Poems of Thomas Gray', 1797-98 (W/C with Pen and Black Ink on Paper)William Blake
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The Chimney Sweeper', Plate 41 (Bentley 37) from 'Songs of Innocence and of Experience'William Blake
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Design for an Illustration for Walter Scott's 'Lady of the Lake', Loch AchrayJ M W Turner
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The Bard: a Pindaric Ode, from 'The Poems of Thomas Gray', Published 1797-98William Blake
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Rockets and Blue Lights, 1855 (Chromolitho)J M W Turner
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Visitor to a Moonlit Churchyard, 1790Philip James Loutherbourg
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Port RuysdaelJ M W Turner
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Weymouth, C.1811 (W/C on Paper)J M W Turner
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Peat Bog, Scotland, Engraved by George Clint (1770-1854)J M W Turner
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$79.00
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St. Augustine's Gate, Canterbury, C.1797 (W/C over Pencil on Wove Paper)J M W Turner
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$79.00
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